Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts

Friday, 24 October 2014

Diwali Pahat (दिवाळी पहाट) - Padmashree Padmaja Phenany-Joglekar (Vocal)

Attended concert, titled Diwali Pahat (दिवाळी पहाट), of Padmashree Padmaja Phenany-Joglekar (Vocal)  accompanied by Parag Dhadphale (Tabla - तबला), Mandar Parkhi (Samwadini - संवादिनी), Mahesh Khanolkar (Violin) and Sayli Karve (Vocal accompaniment). The concert was organized by Gallop events in IIS Auditorium, Silicon Oasis, Dubai on 24th Oct 2014. I attended the concert with Aditi, Sucheeta & Jayant.

This was a light musical concert of her film songs (चित्रपट गीते) and bhavgeete (भावगीते). All the songs as well as the announcement was in Marathi. Padmajaji encouraged audience to feel free to sing along because the best relationship is the relationship of sur (सुर).

Concert started with famous Ganeshstavan 'Om namo ji adya (ओम नमो जी आद्या) Mangal charana Gajanana' of Sant Dnyaneshwar. Then she sung Kavivarya Shankar Ramani's poem 'Dive lagle re dive lagle (दिवे लागले रे दिवे लागले)'

Then she presented a, yet to be recorded, abhang(अभंग) of Mirabai, her own composition 'Hari mere jeevan pran adhar (हरी मेरे जीवन प्राण अधार)'. She then presented a poem of Kavishreshta Indira Sant, 'Yaho yaho Suryanarayana (याहो याहो सूर्यनारायणा)'. Then came 'Suhasya tuze (सुहास्य तुझे...मी मज हरपुन)', a composition of Dinanath Mangeshkar. Audience welcomed this song by clapping at the first alaap. Audience then made a farmaish of 'Kenvha tari pahate (केंव्हा तरी पहाटे)' in Raag Durga from movie Nivdung (निवडुंग). 'Sangu kase sare tula (सांगु कसे सारे तुला)' a sad song that touches your heart was next. 'Hasra nachra (हसरा नाचरा...श्रावण आला)' a poem of Kusumagraj (कुसुमाग्रज) composed by Girish Joshi, 'Sonchphyachi Paule (सोनचाफ्याची पाऊले)' & bandish 'Khelat basant (खेलत बसंत निस पियासंग लागी)' were the subsequent offerings.

Final section was a rapid fire of songs, one after another, non stop. Poem of Ex- Prime Minister of India, Atal Bihari Vajpeyi 'Geet naya gata hun (गीत नया गाता हूँ)' followed by 'Pustakatli khun karaya (पुस्तकातली खूण कराया)', 'Ranjishi sahi (रंजिशी सही)', 'Aaj Jane ki zid na Karo (आज जानेकी ज़िद ना करो), Kahin ye who to nahi (कहीं ये वो तो नहीं), Tinhisanja sakhe milalya (तिन्हीसांजा सखे मिळाल्या),  Tuzya eka hake sathi (तुझ्या एका हाकेसाठी).

The harmonium player, Mandar Parkhi, sung one Gazal ' Zhuki zhuki si nazar (झुकी झुकीसी नज़र). Mahesh, the violinist, also played a solo piece very effectively & Sayli, her student sung Dore akash shamiyana (दोरे आकाश शामियाना), a Bengali song of Saleel Chudhuri.

She finished the concert with my farmaish 'Lav lav kari pate (लव लव करी पातं)', a lullaby 'Nilya aakashachya (निळ्या आकाशाच्या)' from her album Megha re (मेघा रे), 'Megha re (मेघा रे)', the title track of her album and finally 'Runuzunu runuzunu (रुणुझुणु रुणुझुणु)'.

Padmajaji  engaged the audience throughout the program by peppering witty and informative commentary, encouraging them to appreciate the musicians and to clap. This created a dialogue with the audience.

Harmonium and Violin players have been playing with Padmajaji for more than 20 years so there was no question of lack of coordination. All the accompanists played well and were applauded from time to time by Padmajaji and audience. She sung very well and audience loved her.

Special mention should go to the audience who was knowledgeable, applauded at the right locations and recognized the song at the first note. Such an audience is singers delight.

Although remotely located, it was a very good auditorium. It was spacious, comfortable and has a large stage. Sound system was of Bose. Main singers mike had some issues as the words were a little unclear. Volume of violin was slightly on higher side.

Gallop events is a newly formed company. This was the first ever event organized by them and they did well. Typical Maharashtriyan atmosphere was created through a combination of music, rangoli (रांगोळी), hand outs, event specific news letter and Diwali faral (फराळ) packets. Full marks to them.

An excellent concert. Entertainment rating 8.5/10.

Saturday, 14 December 2013

Mysore brothers (Violin duet)

Attended grand violin concert in Indian Embassy, Abu Dhabi by Mysore brothers. Mysore Sri Nagraj & Mysore Sri Manjunath on violin. Accompanied by Padma Vibhushan Umayalpuram Sri K. Sivaraman on Mridangam and Sri Giridhar Udupa on Ghatam.

It was first time I watched synchronized violin. Fabulous. Who says violin is not an Indian instrument?

K.Sivaraman and Giridhar Udupa played excellant solo mudangam and Ghatam pieces. Mridangam and Ghatam jugalbandi stole the show.

2.5 huors flew by. However the concert did not end with a creshendo.

All in all a very good one.

Saturday, 9 November 2013

Bickram Ghosh (Tabla)

Attended "Sufusion" a concert of Bickram Ghosh (tabla) assisted by Arun Kumar (drums), Pulit Sarkar (keyboard), Abhishek Malik (electric sitar), Amrish Das (vocal), Parvati Kumari (vocal), Biswanath Majumdar (purcussions) and  Tarun Chaktavarty (Dholak) at DUCTAC, Dubai on 8th Nov 2013 with Kumar, Thangaokar family, Banchhode family, Kunte family and for the first time Siddhant & Mihika.

Bickram, son of Pt. Shankar Ghosh, was the principal accompanist of Pt. Ravi Shankar for 10 years and is winner of Grammy award.

Concert started with 'Dance of Shiva' in raag Jog. This was not a Sufi piece, but it set the mood of concert on high.

Sufi part started with 2 kalams of Bulle Shah 'Are logon' & 'Ghoohat mein'. It was followed by Patiala gharana thumri 'Yaad piya ki awe'. Next came 'Gangotri' in raag Mishra Bhairavi. This followed by solo purcussion pieces. Every one played very well but the drummer stole this section.

Then there was a section of non instrumental percussion (by mouth) where the performance dipped slightly. Bickram then involved audience by asking them to play, whatever he plays, by clapping. Audience stood up to the occasion by repeating correctly.

Penultimate number was 'e ri sakhi' by Amir Khusro in raag Desh, in Sufi and Thumri style. Grand finale was 'damadam mast kalandar'. Satariya was too good here. Concert ended on a high note.

This was a rare concert where the principal artist did not always grab the center stage. Communication and understanding between Bickram and drummer was excellent.

Electric sitar was a novelty but sounded artificial, probably because we are used to conventional sitar. Parvati's uninhabited voice was a good change. She has excellent upper range. Amrish, though sang very very well, was not able to erase influence of Hindustani style while singing Sufi. Dholak was the weak link today. Also there was nothing in lower octaves in this concert.

Sound system was a little too loud. Drums (mike) should have been toned down. Vocals were muffled sometimes.

An excellent concert. Rating 9.5/10.
Fod dala!