Showing posts with label Niladri Kumar. Show all posts
Showing posts with label Niladri Kumar. Show all posts

Thursday, 10 December 2015

Zakir Hussain (Tabla) and Niladri Kumar (Sitar)

Attended a concert titled 'Upaj (उपज)' of Ustaad Zakir Hussain (Tabla) and Niladri Kumar (Sitar) on 10th Dec 2015 at Shanmukhananda Auditorium, Sion, Mumbai; with Ravikiran.

Concert started with Raag Shuddha Kalyan (शुद्ध कल्याण). Niladri played amazing Sitar especially in Aalap. He played the raag for one hour. Even Zakirji clapped at the end of this raag.

Artists indicated interval, but audience urged them not to take one. So the concert continued, though some of the audience decided to take their own interval.

After this pseudo interval Niladri played a beautiful raag. He did not tell the name and I could not recognize it. But it was very sweet nevertheless. He played for about half an hour. They played amazing jugalbandi and followed it up with Sawal Jawab and ended with a crescendo with thunderous applause.

Third composition was also a very good composition. Again he did not tell the name of raag and I could not recognize it. However we enjoyed it very much.

Concert ended with a Dhun (धुन) in Bhairavi (भैरवी). Audience enjoyed it as it was a known tune. During this Zakirji drummed directly on the mic to create rhythm. He also played bedam Chakradhar on Tabla. Dhun and concert ended with a long applause and standing ovation.

Niladri extracted and extruded notes from Sitar with minuscule movement of fingers. Some were so deep and in lower octave that I did not know they existed. Sometimes audience started to clap even before Niladri finished his minute variations and he had to tell them to wait till he had finished.

Zakirji, being the living legend he is, played a conventional accompanist. He stole his moments of glory but did not try to overshadow Niladri. A commendable restraint. His Tabla playing is legendary. Each bol was crystal clear, whatever the playing speed. He breaths rhythm.

Both artists had a very good understanding and enjoyed playing together. When artists enjoy, so does the audience. Both of them have lighting fast fingers.

Organizers had discouraged audience from using camera but the official cameraman was snapping photos merrily with flash disturbing the artists.

Concert started half an hour late but audience was still pouring in after that. Most of the audience was not dardi (दर्दी). Some times they disturbed performers by moving around and sometimes clapping to early.

It was a fantabulous concert and pure bliss. Niladri has a great future. Zakirji is Zakirji.

Entertainment rating 9.75/10.

Saturday, 25 January 2014

Zhakir Hussein (tabla)

Attended 'Nirvana 2014' a republic day special concert of Zhakir Hussein (tabla), Louis Banks (piano), Shankar Mahadevan (vocal), Taufiq Qureshi (multiple purcussion instruments) and Niladri Kumar (sitar & zitar) at Madinat Arena, Dubai on 25th January 2014 with Aditi, Thangaokar family, Pooja, Prachi, Prakash, Vijay, Pawar and Raju. This was the second time I was witnessing live performance of 'The Legend' Zhakir.

Concert started with solo performance of Zhakirji. It's amazing to see him playing extremely difficult pieces effortlessly. Wherever his fingers danced, they created magic. Fabulous!!! This start set the tempo of the concert.

Then came an overture called 'dove' a joint performance by Zhakirji, Louis Bank, Niladri and Taufiqji. A section of this piece somehow reminded me of Mongo Santamaria's 'watermelon man'.

Zakir and Louis were joined by Shankar Mahadevan for next performance 'color of love' followed by 'shadows'. Shankar did not sing any song, he just recited the bols (बोल).

Next piece was called 747 by Louis, Toaufiq and Niladri on 'zitar' an instrument he invented by combining sitar and guitar To play fusion and western music. The instrument sounds different. Niladri's fingers fly!

Next piece was played by Louis, Niladri, Taufiq & Zhakir with spotlight on each one, one by one. Taufiqji played his signature vocal instrumental and was applauded multiple times. He also made audience to play rhythm (clap) with him.

Next performance was jugalbandi between Shankar and Zhakir. Started with south Indian classical and migrated to north Indian thumri composed by Zakirji (kori chunar mori..), jocularly dubbed as masala dosa + mutton biryani.

Next was a composition called 'Doors of desire' by Louis, Shankar, Zhakir and Taufiq.

Grand finale was brought up by all the artists performing together. This included 'breathless' of Shankar.

Program started almost one hour late. It was a very big hall, so the cosy atmosphere was missing. Sound system of Mujib Dadarkar was excellent.

Interestingly all five did not play simultaneously till the last piece. All the artists were so good (एक से एक) that it was difficult to choose the best performer. I would like to attend Niladri Kumar's solo concert. Shankar's voice was not at its best today.

Again I came out of the auditorium with a feeling that it was a fabulous concert but there was not enough of Zhakir Hussein.

An excellent concert. Rating 8.5/10.