Wednesday, 31 December 2014

2014 year (ear) for music!!!

2014 year (ear) for music!!!

Year 2014 was a good year for music lovers in UAE. There were a number of concerts.

The ones that I attended are:

1. Nirvana 2014- Zhakir Hussein, Taufiq Qureshi, Louis Banks, Shankar Mahadevan & Niladri Kumar.
2. Jyoti Hegde (Rudraveena+Sitar) and Mrinalini Kotur (Sitar).
3. Upendra Bhat (Vocal).
4. Rajprasad Dharmadhikari (Tabla).
5. Betal zalet sur (Vidamban geete).
6. Shujat Khan (Sitar) & R. Prasanna (Guitar).
7. Amman Ali Khan (Sarod) and Ayyan Ali Khan (Sarod).
8. Dr. Kavita Gadgil (Vocal).
9. Kum B. Lakshmi Surya Teja (Vocal).
10. Hariprasad Chaurasia (Bansuri).
11. Padmini Rao (Vocal).
12. Ajay-Atul (Vocal).
13. Shivkumar Sharma (Santoor) & Rahul Sharma (Santoor).
14. Padmaja Phenany-Joglekar (Vocal).
15. Shubha Mudgal (Vocal).
16. Gulzar: Baat pashmine ki (Vocal).
17. Satish Vyas (Santoor).

And then there were some that I could not attend viz:

1. Kabir by Padmashree Pralhad Tipanya (Vocal)
2. L. Subramanian & Ambhi Ductac (Violin)
3. Sitar fusion by Chirag Katti (Sitar)
4. Rashdi Khan (Vocal) and Shahid Parvez (Sitar)
5. Laya raga sangamam by Sthree Thaal Tharang at Sudanese club (Instrumental)
6. Upendra Bhat (Vocal)
7. Srivalasan G. Menon (Vocal) Carnatic
8. Kathakali (Dance)

HAPPY NEW YEAR TO ALL OF YOU.

Friday, 19 December 2014

Pandit Satish Vyas (Santoor)

Attended concert of Pandit Satish Vyas (Santoor) accompanied by Ojas Adhiya  (Tabla) organized by Anubhooti at Embassy of India auditorium, Abu Dhabi, on 19th Dec 2014. Occasion of this concert was first anniversary of Anubhooti.

Concert started with raag Jhinjhoti. Panditji started with aalap. The minute, detailed and delicate pieces he played in aalap generated instant wah wah (Verbal applause). Then he played two compositions. First was in Jhaptal. Satishji and Ojas got multiple applauses for their soft as well as forte playing. Second was in drut Ektal. This too was applauded by audience. He played for one hour and ten minutes.

Then he presented Raag Chsrukeshi that was adopted by Hindustani music from Carnatic music. No need to mention that it was too good. This section also consisted of Sawal-Jawab. Audience applause had become a common feature by this time. He played for about fifty minutes.

Needless to say Satishji played excellently. He was in a sublime mood today. SBI Dhabi audience came to know why he is considered best Santoor player next only to Pt. Shivkumar Sharma.

Ojas played excellent tabla. Audience liked him very much. He has potential to become one of the greatest tabla player. I wish he does.

It was a full house. For the first time a number of people had come from Dubai for this concert. Sound system, though, was not on its best behavior.

Special mention should go to the audience. It was a knowledgeable and rasik audience who applauded in all the right places. In informal discussion post concert, Ojasji also appreciated the audience and the auditorium.

A wonderful experience. Entertainment rating 9.5/10.

Disclaimer: I am a founder member of Anubhooti.

Friday, 12 December 2014

Gulzar: Baat Pashmine Ki (गुलज़ार: बात पश्मीने की)

Attended concert titled "Gulzar: Baat Pashmine Ki (गुलज़ार बात पश्मीने की)", a program about legendary Gulzar (गुलज़ार) and songs written by him . The program was anchored by Sachin Khedekar, Pournima Manohar and Anand Ingle. Singers of the evening were Swarada Gokhale, Jitendra Abhyankar, Swapnaja Lele and Dhawal Chandwadkar. The program was with a music soundtrack i.e. without live music. The program was in Sheikh Rashid auditorium, Indian Highschool, Dubai. This was the hundredth show of "Baat Pashmine Ki (बात पश्मीने की)".

The concept of this program was interesting. It consisted of songs of Gulzar in the foreground, poetry and sher(शेर) on one side, painting on other side and video clips in the background. Creatively conceived.

A number of Gulzar songs were presented. The songs were; Fir wahi raat hai (फिर वही रात है), Naam gum jayega (नाम गुम जाएगा), Mora gora ang lai le (मोरा गोरा अंग लई ले), Tum pukar lo (तुम पुकार लो), Koi hota jisko apna (कोई होता जिसको अपना), Beeti na bitai raina (बिती ना बिताई रैना), O mazi re (ओ माझी रे), Ruke ruke se kadam (रुके रुकेसे कदम), Dil dhundhta hai (दिल ढूँढता है), Is modse jate hai (इस मोड़से जाते है), Chod aye ham ye galiyan (छोड आए हम ये गलियाँ), Tuzse naraz nahin (तुझसे नाराज़ नहीं), Dil hum hum kare (दिल हूम हूम करें), Mera kuch saman (मेरा वो सामान), Do naino mein (दो नैनोंमें आँसू), Ai ajnabi tu bhi kabhi (ऐ अजनबी तू भी कभी), Chalka chalka re (छलका छलका रे), Barso re megha (बरसो रे मेघा), Kajrare kajrare (कजरारे कजरारे), Jay ho (जय हो), Musafir hun (मुसाफिर हूँ).

The program showed multiple facets of the personality of Gulzar. His special bonds and understanding with Pamchada and Sanjeev Kumar. Clippings of films made by him like Mere Apne (मेरे अपने), Angoor (अंगुर), Machis (माचिस), Masoom (मासूम), Ijazat (इजाज़त) etc., excerpts from his stories like Ravi par (रावी पार).

Program started almost one hour late due to some "technical" difficulty. The stage set up was such that the spectators sitting at the end of seat rows could not see the video clips. This was a big fault of stage manager (नेपथ्यकार).

The reason of using three persons as anchors was not clear. Sachin Khedekar was the life force of the program and carried the show on his shoulder. His rendition of the poems and reading of story was excellent. His knack of presenting the poem, applying right amount of emphasis and effective pauses were endearing. Other two anchors were 'also ran'.

The singers were decent. They were not WOW but nothing to complain about. However Swarada and Dhawal impressed. Surprisingly audience did not ask for 'once more' even once. Since the entire program was digitized, it would not have been possible anyway.

Girish Charwad drew two paintings. His painting of Mirza Ghalib was appreciated. Interestingly besides being a good painter he is also a Sarod player.

All in all it was conceived well, planned well and executed as per plan. A good experience. Although you know Gulzar, you are impressed by his contribution and achievement a new. And here lies the success of program.

Entertainment rating 8.5/10.

Friday, 5 December 2014

Padmashree Shubha Mudgal (Vocal)

Attended concert of Padmashree Shubha Mudgal (Vocal) accompanied by Dr. Aneesh Pradhan (Tabla - तबला), Sudheer Naik (Samwadini - संवादिनी) and Diya Kundu (Tanpura & Vocal accompaniment), a very young disciple of Shubhaji. The concert was part of Emirates NBD Classics III series at DUCTAC, Dubai on 5th Dec 2014. I attended the concert with my father-in-law. Thanks to Kumar.

Concert started with Raag Bageshree. She presented two compositions. First was 'Sajan bahu gun kam na aye..' in vilambit Ektal and second 'Harawa gundh lao ri..' in madhyalay Teen taal.

Then she spresented two short compositions in Raag Chhayanat composed by her Guru Ramashreya Jha alias Ramrang. First composition was 'Aaj man laago mero ...' in  Jhaptaal (This was composed as a tribute to Vishnu Narayan Bhatkhande, the great). Second composition was 'Kar kanganwa..' in Teen tal. This was a beautiful composition about how Sita sees Ram's reflection in her bangle before garlanding (marrying) him. It was my first time to hear Raag Chhayanat live and I liked it.

Then she presented Bol Banao Thumri 'Piya ke jagaye, jaag pari main to ...'. Bol Banao Thumri is speciality of Banaras gharana (Purvi ang). This Thumri was different. It was slower than Thumris I know. Aneeshji got a free hand towards the end and he was very good.

Final composition was Jhula ' Dheere dheere jhulao ...', taught to her by Naina Devi. Jhula is influenced by folk music and is a speciality of Uttar Pradesh.

After she concluded a farmaish (request) was made for Dadra 'Sunder sari mori ...' And Shubhaji fulfilled the request. But it did not end there. Audience urged her to sing Thumri 'Balam tere zagde mein rain gai ...' She liked the farmaish and sung it.

Start appeared a bit tentative to my untrained ears, but then Shubaji sung very well (goes without saying). I especially enjoyed her aalap.

Sudheerji also plays harmonium with great command and was applauded by audience. Understanding between Shubhaji & Aneeshji was excellent. Being Husband-Wife helps!

Sound system did not give any trouble and temperature of auditorium was not cold. Infact I would have preferred a couple of degree Centigrades lower.

Raag Chhayanat, Bol banao Thumri, Jhula & Dadra .. Wow... This concert was definitely 'different' and out of beaten track.

A very good concert. Entertainment rating 8.5/10.